Showing posts with label plutonic prose. Show all posts
Showing posts with label plutonic prose. Show all posts

Friday, April 10, 2015

Possessed by Possesions




 This is the thing...
                                A
                        mah o  gan
                      y  py  r  amid
                    To       W      er
complete with progressively larger, inserting, and smoothly gliding from fine craftsmanship, shoe-boxed size drawer of graduating sizes and yet even more thought after -fashioned with sturdy brass oval stamps in which to hold it's nose ring pull-tab drawer handles, which reminds me of chestnut coated bull.
It poses to be modern, art deco, trendy or futuristic, yet is foreign, obscure and in some ways limited in capacity, it was never mine but comforts me with smells of sweat and cedar, drips and chips.

In my room there’s another thing...

        Ic oaken s
   cha            tr
 r                  uc
a                ture
Antique, passe, futile furniture design the secretary-not executive assistant, not girl Friday, or left hand lady, the secretary with her rolls on top, secrets divided into formal slots, sorted, lost in little cubbies and dark holes in which only she knows the depth where bad ideas and great deeds get lost…Significant or not, like handwriting that can only to translated by its own hand tracing bread crumbs of ideas in cracks to get a nibble of what was meant and intended, for what purpose do you stand?
Bellied grooves , like a whales stretched gullet -you will not leave! How to move a whale…? If I Google that Green Peace will be on me like lemon furniture oil. For now, in this unadaptable environment, a fish out of water, a roll-top desk situated anywhere. Multi-purpose morphed into antiquity, you’re not even pretty. No form, no function, no adapter or converter, just a chainsaw or a match. Desktop rolled closed in defiance.

In my dining room

Here's the thing...

RI
NG _____p ho
A                ne
LI
NG


Is it a wooden bird box on the wall inside your home? What kind of con-trap-tion is that?
Not a bird box, but it did make distinct calls-One could say…Two blackened with age but still bronzed bells at the tippy top a horn, a nose, or rather a mouthpiece, whose ear horn goes to your lobe, though not the same shape. Mounted a slanted shelf, with an edge so your pencil doesn't roll to take a message when nobody's there, to write it down, spoke secrets will remain in echoes of old machinery, or by convention as corded, grounded as could be yet for some reason
in its dead language-it calls my name still in tinny tones when I bump it. It wont fit in your pocket, or car, or even on the desk or counter-its art now. After everything retires, working no more, it rests peacefully in nostalgia. Bronzed baby shoe relic of the days when we needed an Operator to connect, instead we are the principles inventing ways to disconnect.  
In my living room.

You know that thing...
   KE
S      L  ON-Key
  ET

-that has the skeleton key always in the lock? It's not so big, a delicate piece almost feminine piece.  Obviously for decoration, like women’s pants pockets. A large housecat could fit in that cabinet though-but things…they do seem to shrink when they age, or the other way around, aging at it seems smaller, like reading print. Rich and soft dulled walnut wood its nutty such items were carved, whittle by whittle, crafted by hand, they call it “artisan”, which makes it desirable now.  Transforming effort into ornate, brown grains accentuate its lines
like it’s own wrinkles, laugh lines I mean- slightly risen, a design of futility, with a letter top drawer for unmentionables and such, to keep things when in a pinch, or out of the blue, you would never remember they were there-it’s a Justin Case.

So the thing is...

The things. The clutter and stuff of things that will never go away. That was Grandma Bean’s, this was Grandpa’s, and that is Papa Don’s, and this was my great aunt somebody’s, oh-it’s antique, well it must be valuable, like a poet post mortem.  I simply wanted for a moment or two for you to touch with your eyes, through these container words, drawing lines with your imagined strokes, where your blanks filled in are better than mine, to see the piles of trivial necessities we all live with.  What matters to things, nothing. But these things matter to us as silly as it is. Like clothes we wear them, we stage them, we bring them into our home, planting their history in our hearth too.  All these dusty old things, they may matter, they make themselves matter, standing in the way of space and nothingness, replacing a void with an object to touch, to dust, to lament over not being able to get rid of…
Not to discount, the matter of matter, that is not "the matter", as they may say.
There are true “collectors” and such who themselves likely have too much, yet pine, wood, and would need, want, must have, pining over something is what we do. You're told “something old
and new, some thing borrowed and something blue but here 's what those things truly do-
they actually own you. Back in deeds and way, for a time, where layers build under, in between, spots unseen for yours and my wonton needs of things which last and are enduring, built well, built to last, sharing the inconvenience of our redecorated palpable and wooden existence.
Re-saled, up-cycled, retro to deco-what's old in new? Gently used, lightly worn, almost true…
There's always plenty more where ever that came from the family tree, down the road, moving along to the crossroads, on the corner of “Now” and “Then” like leaves of piles, heavy with neglect begging to know, just who owns who in The End.


Scan and postprocessing image by Hubertl [Public domain], via Wikimedia Commons.

Thursday, April 9, 2015

A Reply to your letter: via Tomas Tranströmer


March 26th, 2015
Do you know why it is gray today? I'm sure you can feel the chilly vagueness in the air. I should let you know a poet died today. Tho that is not why I have chosen to stain today with inky shapes that hold nothing for you, like the dry gray sky that won't rain. It has run out of rain and words. Liquid is life, there's a dry eye in the sky.
I'm sure for the record there is some concrete statistic which scientifically, methodically, and reasonably has extrapolated a figure denoting that a poet dies every hour, or Red, Blue, Harvest, or maybe just on the New Moon.
Surely one is born every full moon.
You may also like to know, the poets are not an endangered species, at least geographically where you and I dwell, others in places and time may not have fared so well for poetry's sake.
Poets are actually quite common, like the common Mimus  polygottos, who blend in and adapt, tweaking their song and the species evolves along.
I re-tweeted the news of the death, needless to say anyway.
Another member elected into the Dead Poets Society, his name was Tomas Tranströmer, did you know him? Hear his song? Pick up a poem? Peruse his prose? I am sorry for our loss.
I just met him myself and yet he spoke to me as if we'd met before, maybe it was on the other (side of the) page.
I heard his name was swallowed by the cold empty record book. Out of sight now, recorded so we won't remember, as though we were never there too, until his name is found dusty again.
But the thoughts of a poet, as vaporous as they seem, have actually scratched the surface and etched the glass, permanently altering clarity-for a bit.
And now we know the fate of a Poet, what happens to his now homeless accolades? They can endure, choosing to evolve.
Now a reply was never sent to your open letter that floats among the continents in 60 different languages-do they all speak poetry?
Melancholy you may think-maybe-it's in-between.
I saw my reflection pouring over your letter in an office building window walking by this afternoon and there it was-stopping me in my tracks. A capital "T"!
It was crowded on the street and people were going about their day talking on or eyes glued to their cellular world, so nobody noticed what you'd given just to me, and it fit perfectly!
Sending my gratitude.
I will write again soon.

Tomas Gösta Tranströmer was a poet, psychologist and translator of Sweden born April 15th, 1931 and passed away March 26th 2015. The above piece was composed in response to his Prose titled "Reply to a Letter". 

Image of painting by Louis-Robert de Cuvillon, 1886 "Renaissance Woman reading a letter"  [Public domain], via Wikimedia Commons.